Saturday, May 28, 2011

"Dropping A Dime"

Meanwhile, Leo was driving the Plymouth faster than was legal in residential neighborhoods, making Leslie and Sukie bounce against the back seat of the car with giggles.  Juanita lost her grip on the 45 records that had been stacked around her thumb, and a few of them fell in the seat between her and her uncle.   As of yet, nothing was broken and no one had come to any bodily harm, so Leo didn’t see a need to apologize.  He had no doubt that Melvina was at home wondering what was taking them so long to return.  All of a sudden the day seemed long enough, and he wished he could drum up a good excuse not to go to the parents meeting at Breitmeyer Elementary School.  What time was it anyway?  According to his watch, it was near 6:30 p.m.
“Who is Mrs. Payne?”  Juanita asked while dusting a copy of Hugh Masekela’s “Grazing In The Grass” against the hem of her skirt.
“She’s my teacher at school and she got me in trouble!”
“Yeah, she weared a string on her finger to school because she talks good in class.”  Sukie added, as they were passing the giant replica of a stove on display at the Michigan State Fair Grounds.  Leo wore a bemused expression on his face but didn’t speak.
“You got in trouble because you talk good?---What?” Juanita didn’t understand.  She twisted around so she could see her little cousins. 
“I do talk good,”  Leslie acknowledged Sukie’s comment.  “But Mrs. Payne told Mommie I talk too much.”  
“Oh.”  Juanita frowned.
“She said it to my whole class, too.” 
“She did? Now, why she wanna do that to my Cuz?”
“She’s mean.  Mommie told me the strings on my finger could remind me not to talk so much and I pretended it was my ring but Mrs. Payne said  ‘NO! that’s not your ring, Leslie, that’s because you talk too much stop interrupting other kids’....and stuff like that.  She said it so my whole class could know....”

“What’s your“Cuz”?” Sukie wanted to know. 

By now Leo was making a left turn from Woodward onto Manchester.  The Clock Diner was on their right.
“You mean your teacher dropped a dime on you in front of your whole class? That’s cold.

“What’s your “Cuz”?” Sukie asked, again.  “Am I your “Cuz”, too?”

“....That hurted my feelings, so I don’t say many things in her class, anymore, even when I know the answers.  And you know what else? Mrs.Payne says I can’t help other kids do their work.”
“That Mrs. Payne sounds like a real pip!”   Juanita was looking out of the window, now.  “Wait until you get to high school, like me.  You’ll have seen all kinds of teachers by then.”

“My first grade teacher was nice.”  Leslie offered, feeling loyal toward Mrs. Bissessi, who---unlike Mrs. Payne---had sung her students’ praises all year long through the many fits and starts of reading sounds until they became words and then sentences.  Mrs. Bissessi had remained soothing and encouraging despite much crushing of pencil leads being pressed too hard against desks, and thick erasers rubbing holes in the soft green paper on which the children practiced writing alphabets.

Leo turned the radio dial to the left of the glove compartment until the Canadian radio station, CKLW, sputtered into audibility.  He liked to listen to WCHB, the black-owned soul station, most of the time, but CKLW was known to mix things up a bit, so he could keep up with the latest tunes from acts such as The Doors, The Beatles, Judy Collins, Tom Jones, Steppenwolf, The Mamas and the Papas, and Cream---along with songs by Dionne Warwick, Sly & the Family Stone, Aretha Franklin, the Intruders, The Fifth Dimension, and all of the Motown groups. 
“What does dropped a dime mean? Is it like a a tattle-taler?” Leslie pushed herself forward so she could rest her chin against the back of Juanita’s bucket seat.  “You smell good.”  she added, after getting a whiff of Jean Nate Body Splash.  Leo braked heavily at the next stop sign.  He turned to give Leslie a warning look to make her sit back in her seat.

Wednesday, May 18, 2011

"I Want To See You Do Something Else With Your Life"

Kingsley Court was one of those north/south streets like John R, Beaubien, Brush, and Oakland, only it dead-ended at Mt. Vernon, and that was where some of the Northend’s aspiring singing sensations liked to hang out.  Usually, when they were getting a new idea for a song, guys like Stan and Gooch brought their trumpets and met at Mrs. Cleveland’s house because she had a “music room” in her house, equipped with an organ, a drum set, some bongos, and a tambourine.  Mrs. Cleveland thought that young kids would enjoy having someone’s house where they could hang out and have fun, albeit with unobtrusive adult supervision. While she didn’t allow wild parties, loose language, or smoking cigarettes in the house, she got a kick out of listening to them pick around toward the invention of original music with exciting horn sections, clever lyrics, and daring harmonizations.  One day she happened upon them brainstorming names for their group.
“How about The Dewtones?” 
“Naw, I think somebody already got that one.”
“Oh.”
“What about the The ShooBops?”
“The ShooBops?? Are you crazy?” 
They needed their group name to signify a flavor that was irrepressible, irresistible, tangy, and smooth; something their peers in places like St. Louis, Missouri, Cleveland, Ohio, Chicago, Illinois, and Gary, Indiana would immediately recognize as being cool and hip. 
“You could name your group The Toe-Jams!” offered Jerry, who couldn’t seem to resist throwing in a funny bone when the others were trying to be serious.  At first it looked as if Gooch and Stan would be able to maintain their straight faces but in less than five seconds everyone was cracking-up laughing.
That just gave them an excuse to go off on a tangent of coming up with one ridiculous name after another, including The Tip-Toes, The Thumb Tacks and The Pencilheads.  Then they went on to consider naming themselves after critters and creatures in the wild, such as The Butterflies, The Panthers, or The Zebras.  Taking cues from household and urban life, they tossed-in The Cockroaches, Hammer with Nails, The Shiny Buicks, The Peas & Carrots and The Moist Towelettes.  Like countless other kids around the city, they spent whole afternoons coming up with names like Rudy Bell & The Extraordinaires,  The Fabutones and The Effervescent-Seven.  Tracey Corbin, who was taking Senora Rodriguez’s spanish class at Southwestern High School that year, wanted to name her all-girl group The Sensationarios.  
“Hey, you all.  Look at this sequence of steps I got going.”  Linda piped in.  “Move, now.  I need some more room.”  In addition to her abilty to harmonize any alto and soparano parts, Linda was their resident choreographer.  She was petite and athletic with a shy smile and some of the guys had a crush on her.
Some mothers asked why do you all want to do all this singing and dancing ? Don’t we have enough negroes singing and dancing, already?  I want to see you do something else with your life. 
Well, what’s wrong with working at the plant, like dad and them?
You think your dad spends all his time working in that greasy plant just so you can do the same thing?
What’s wrong with it?
I want to see you do something else with your life.
Still, it was hard not to be impressed by what was happening for kids from poor and working class neighborhoods who went from singing on street corners and stoops to learning poise, refinement, and hip dance moves that they performed while crooning the tight harmonies that had none of that moaning sorrow associated with the blues.  Now that young people were changing the world, they needed their music to sound more promising, more upbeat, romantic, and ready for the world.  They wanted their music to be urbane and exciting.